Margaret Donsbach from HistoricalNovels.Info interviewed me about Alcestis, which she calls “full of poetic passages.” (There’s a short review of the book at HistoricalNovels.Info, too, and Margaret will soon be reviewing it for the Heritage Key site.)
Tonight I’m going to see an adaptation of Pride & Prejudice at the Oregon Shakespeare Festival, one of the best things about visiting Ashland. I’m hoping that it’ll be better than the adaptation I saw at UT this fall, which I have to admit was pretty painful. (Actors who can’t manage British accents should not try to pretend that shouting in a higher-pitched voice is a worthwhile substitute.) Yesterday, I also discovered some exciting Austen news, from Diana Peterfreund, who explains why she loves Persuasion so much, and then reveals the following:
Children’s: Young Adult
Author of the Secret Society Girl series and Rampant Diana Peterfreund’s FOR DARKNESS SHOWS THE STARS, a post-apocalyptic retelling of Jane Austen’s Persuasion, to Kristin Daly at Balzer & Bray, in a good deal, for publication in 2011, by Deidre Knight at The Knight Agency (NA).
This actually makes a lot of sense — much of the literary criticism written about Persuasion focuses on the uncertainty and anxiety evident in Austen’s portrayal of the diminution of the landed gentry, so transposing that class anxiety into a more explicitly dangerous post-apocalyptic world should be really interesting. Looking forward to this one. Diana answers more questions about it here.
Regarding another genius, Hilary Mantel writes about the Shakespearean authorship debate, which she calls “a tale of snobbery and ignorance, of unhistorical assumptions, of myths about the writing life sometimes fuelled by bestselling authors who ought to know better.” Ouch, and nicely put.
Finally, in exciting news for dorks like me, Patton Oswalt is writing a Wash-centric comic set after the conclusion of Serenity.