So! To make up for that brief absence, here’s a nice announcement: the Blanton Museum Book Club will be reading Alcestis and discussing it on January 20, 2011. I’ll be leading the discussion. This book club meeting is linked to the prints exhibition Robert Wilson in Four Acts, which just opened at the Blanton and runs through March 13, 2011. Here’s the Blanton’s description of the exhibition:
Artist Robert Wilson—a University of Texas at Austin alumnus, native Texan, and The Blanton’s 2011 Gala honoree—is best known for his video and theatre work. However, as part of UT’s 1986 Guest Artist in Printmaking Program, Wilson made two suites of prints. Alcestis is named for the wife of King Admetus from Euripides’ eponymous 438 BC Greek tragedy who offers herself as a sacrifice upon learning that her husband will die unless he can find another to take his place. Alceste illustrates Wilson’s stage design for Christoph Willibald Gluck’s 1767 opera of the same name, based on Euripides’ myth. Robert Wilson in Four Acts presents these suites alongside a study for Alceste and video documentation of Wilson’s production of Gluck’s opera.
And here’s the amusing part: if you click the Book Club link above, you’ll see that it still lists the January 20 book selection as Ted Hughes’s translation of Alcestis (the Euripides version). But no, my friends — I have replaced Ted Hughes! I feel as though I ought to notify my alma mater about this. </Sylvia Plath jokes>
Also, here are a few links I’ve collected during the week:
- Ellen Ripley Saved My Life: a post by Sady Doyle of Tiger Beatdown. This is the third of three related essays, and speaking as someone whose notion of a strong woman was also unduly affected, in my teenage years, by Joss Whedon’s psyche — it’s amazing.
- A charming slideshow of doodles left on the whiteboards in the main library (the PCL) at UT.
- And another charming interview with Justin Cronin about The Passage, this one at Goodreads.
- Foxes playing in the London snow.